Mira Schor is one of the foremost feminist painters of the past fifty years. Operating in the nexus of language, painting, and feminist theory, Schor has continually imbued formalism with political urgency, and reminded viewers that written discourse and physical form are inherently linked. Her work has included major periods in which gendered narrative and representation of the body have been featured; in other periods the focus of her work has been representation of language in drawing and painting. She draws on multiple sources of imagery and art historical reference to inform her paintings. The central theme in recent work is the experience of living in a moment of incipient fascism, climate collapse, and accelerated time, set against the powerful pull of older notions of craft, and visual pleasure. Her imagery and surfaces are sometimes transgressive, yet often at the same time delicate, poetic, and private, embodying her richly dimensional thinking. Schor overlays imagery and language to reverse the elision of female agency, systems of power, control, and subversion. In today’s social climate of conservative backslide and the erasure of civil liberties, her legacy and current work are as important as ever. Mira Schor (b. 1950, New York, US) lives and works in New York City.

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